Bergen Assembly 2028
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Lucia Pietroiusti and Filipa Ramos announced as Convenors of Bergen Assembly 2028.
Bergen Assembly moves towards its sixth edition with the appointment of Lucia Pietroiusti and Filipa Ramos as convenors for 2028.
Ramos and Pietroiusti have collaborated for several years. Together, they have made exhibitions; co-authored texts; organised concerts, performances and talks; and edited books and magazines. They share a dedication to art and ecology, science and spirit, and have complementary interests in animals and plants, mysticism and science. Pietroiusti and Ramos often engage with questions of consciousness, perception, and coexistence.
Gardens and winds to tickle them. Feelings and stomachs to feel them. Stories and songs to remember them. Spirits and their animals. Whispers and other transmissions. Clouds and churches made of them. Human and Bird-made maps.
Jointly, they will devote the Bergen Assembly’s shape-shifting form to thinking through the relationship between what is told and what is presented at the Assembly, and how these are enacted. In the interest of fine-tuning its mission, Ramos and Pietroiusti seek to experiment with different ways of convening people, objects, and ideas. They will bring together historical, biological, material, and philosophical subject-matters, be they planetary or situated, rigorous, speculative, or transgressive.
Dances and other prayers. Cats and robots. Myths. Snakes. Rhythms or algorithms. Death, tenderness, friction and contemplation. Playing. Crying. The unbearable. Rituals and systems. Sleep.
They aim to investigate the connection between arts, crafts, words, meanings, and worlds; how ancient mnemonic devices were at times regarded with suspicion, as forms of artifice or trickery; the ways fish draw with stones; the elusiveness of machine intelligence; and the question of consciousness across both living beings and robots. These are some of the topics that interest Pietroiusti and Ramos. From ancient and present understandings of technē to the functioning of ecosystems, from animal play to the prosthetic capacity of the imagination: Bergen Assembly 2028 will propose to demystify, re-calibrate, and re-orient how we think of the present while seeking agency within it.
Repetition.
Release.
Repair.
The smell of grass.
The feeling of home.
Love. Loss.
ECSTASY.
Ramos and Pietroiusti’s long-term project, The Shape of a Circle in the Mind of a Fish, developed since 2018, offers a clear expression of their shared approach. Bringing together artists, scientists, and other thinkers and storytellers, it unfolds across exhibitions, seminars, and publications as an open-ended inquiry into consciousness and more-than-human intelligence. In 2025, a publication under the same title emerged from the project, co-edited by the duo. Alongside this, they have curated projects collaboratively including Persones Persons (8th Biennale Gherdëina, 2022), Songs for the Changing Seasons (1st Klima Biennale Wien, 2025), and, alongside Marina Otero Verzier and Mi You and under the artistic direction of Andrés Jaque, Bodies of Water (13th Shanghai Biennale, 2020-21).
For Bergen Assembly 2028, Pietroiusti and Ramos will work in close dialogue with the city of Bergen, shaping the edition over time through research, collaborations, and public programmes. Their approach is grounded in building connections between disciplines and practices, and in opening spaces where different forms of knowledge and experience can meet. The research they are conducting towards the 2028 edition will take place, in part, in public. On 12 September 2026, the convenors will host a Prelude: a gathering in Bergen on matters of technology and ecstasy.
Upcoming events
A First Gathering Towards Bergen Assembly 2028
A Machine as Complex as the World Itself
11–12 September 2026
In September 2026, Bergen Assembly will take the first steps towards its 2028 edition, convened by Filipa Ramos and Lucia Pietroiusti. Conceived as two days of collective orientation, A Machine as Complex as the World Itself gathers artists, musicians, scientists, storytellers and other thinkers to open lines of inquiry and concerns that will guide the development of Bergen Assembly 2028.
At the heart of A Machine as Complex as the World Itself is the wish to rethink technology beyond the horizon of computation. Rather than conceiving of technology as a synonym for the digital, the project returns to the term’s broader meanings as tool, technique, faculty and capacity for transformation. It asks how humans, animals, plants, spirits and machines make and adapt worlds, share emotions, transmit knowledge, foresee change and alter states of being. An exhibition, a symposium, a performance, a ritual, a song, a map, and an assembly itself: all can be understood as technologies – ways of convening people, things and ideas, and of making relations perceptible.
Bergen offers a precise and resonant ground for this inquiry. Its histories of navigation, cartography, maritime exchange, geological and zoological collections, and geographic education connect to questions of seeing, mapping and spatial imagination. The city holds a central place in the history of meteorology, through the Bergen School of Meteorology and its legacy in climate science, and opens onto the many ways societies attempt to negotiate uncertainty: through forecasting, divination, modelling, weather lore, astronomy and creating experiences of transcendence. One of the lines of inquiry explores Bergen’s cultural and geographic relations to oral memory, song, storytelling and Northern cosmologies, and how these can allow memory to be approached as a technique that is stored, performed, repeated, and reactivated.
Across these exchanges moves a transversal force: ecstasy, which is embraced as a state that interrupts the day-to-day operations of the self, exceeds usefulness, alters productivity and allows feeling and intelligence to meet in unexpected ways. Ecstasy appears without announcing itself: through music, ritual, hypnosis, movement, theory and moments of shared observation. It is a way of asking what knowledge becomes when it is not only produced but felt, sung, moved, weathered and transformed.
The event will take place at Korskirken in Bergen and is free of charge. Keep an eye on our communication channels for more information on the full programme and how to reserve a spot.
Lucia Pietroiusti stewards research and experimentation in art, ecology, and systems. She is Head of Research & Emergence at Hartwig Museum, Amsterdam, opening in 2028; and the curator of the 6th Autostrada Biennale (Prizren, Kosovo, 2027). She founded Serpentine’s General Ecology project (2018-2025); and curated Sun & Sea by Rugile Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė (58th Venice Biennale and tour, 2019-2025). Pietroiusti is Chair of the Board of Trustees at Forma, London.
Filipa Ramos, PhD, is a writer and curator whose long-term research investigates art's relationship to ecology. She is particularly interested in animals and time-based media. Ramos teaches at the Art Institute at the FHNW Academy of Art and Design, Basel and is Curator of the 2027 edition of LIAF. Her most recent book, The Artist as Ecologist (2025), discusses the ways in which contemporary artists embrace environmentalism.
Convenors
Filipa RamosLucia Pietroiusti
Bergen Assembly 2028 team
Ingrid Haug Erstad
Director
(on maternity leave 01.05.26 - 01.03.27)
ingrid@bergenassembly.no
Kirsten Wandschneider
Interim Managing Director
(01.05.26 - 01.03.27)
kirsten@bergenassembly.no
Maria Råkil
Interim Deputy Director -
Communications & Mediation
(01.05.26 - 01.03.27)
maria@bergenassembly.no
Christina Hannestad
Administrative Coordinator
christina@bergenassembly.no
Tor Steffen Espedal
Project Coordinator
tor@bergenassembly.no
Alex Millar
Project Coordinator
alex@bergenassembly.no
Eirik Hunnes
Events & Bar Manager
events@bergenassembly.no
Arash Shahali
International Press & Communications Advisor
arash@bergenassembly.no